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The History of Photography / Beaumont Newhall
Titre : The History of Photography : from 1839 to the present, completely revised and enlarged edition Type de document : texte imprimé Auteurs : Beaumont Newhall, Auteur Editeur : New York : The Museum of Modern Art Année de publication : 1997 Importance : 1 vol (320 p.) Présentation : 287 Ill. en noir et blanc / 14 Ill. en couleurs Format : 20,4 x 27,5 cm ISBN/ISSN/EAN : 978-0-87070-381-2 Note générale : Beau-livre ; Photographie. Cet ouvrage est la cinquième réédition du livre "The History of Photography" mondialement acclamé. Il présente une analyse approfondie mais vulgarisée de l'histoire de la photographie depuis sa création, avec une étude de son évolution esthétique et de ses applications, ainsi que de ses grandes innovations techniques. Cette étude est illustrée par une sélection de plus de 300 clichés pris par des photographes célèbres de la photographie moderne et contemporaine, tels Brassaï, Henri Cartier-Bresson, William Eggleston et bien d'autres. Langues : Anglais Mots-clés : Beau-livre Histoire Photographie Vocabulaire photographique Technique photographique Histoire de la photographie Art de la photographie Daguerréotype Fox Talbot John Herschel Louis Daguerre Thomas Wedgwood Nicéphore Niépce Robert Adamson David Octavius Hill George Eastman Edwaerd Muybridge Timothy O'Sullivan Julia Margaret Cameron Peter Henry Emerson Harry Callahan Diane Arbus Robert Frank Walker Evans Nadar Ansel Adams Edward Weston Man Ray Gustave Le Gray Charles Sheeler Brassaï André Kertész Weegee Imogen Cunningham Eugène Atget August Sander Henri Cartier-Bresson Paul Strand Edward Steichen Alfred Stieglitz Robert Doisneau Dorothea Lange Eliot Porter Ernst Haas William Eggleston Stephen Shore Joel Meyerowitz Résumé : 4ème de couverture : "Since its first publication in 1937, this lucid and scholarly chronicle of the history of photography has been hailed as the classic work of the subject. No other book and no other author have managed to relate the aesthetic evolution of the art of photography to its technical innovations with such an absorbing combination of clarity, scholarship, and enthusiasm. For this fifth edition of the book the text was completely revised and expanded, and well over half of the photographs were newly selected from collections on this country and abroad.
Using more than three hundred works by such master photographers as Talbot, Hill & Adamson, O’Sullivan, Cameron, Atget, Emerson, Stieglitz, Strand, Weston, Lange, Evans, Adams Brassaï, Cartier-Bresson, Callahan, Frank, and Arbus, the author presents a fascinating, comprehensive study of the significant trends and developments in the medium since the first photographs were made in 1939. And the fifth edition of The History of Photography includes photographs made in color, from hand-tinted daguerreotypes of 1850 to turn-of-the-century autochromes by Steichen to works by such contemporary masters as Eliot Porter, Ernst Haas, William Eggleston, Stephen Shore, and Joel Meyerowitz.
The fifth edition of this internationally acclaimed book has been translated into five languages."Note de contenu : Préface 7
1. The elusive image 9
2. Invention 13
3. The daguerreotype: the mirror with a memory 27
4. The calotype: the pencil of nature 43
5. Portraits for the million 59
6. Art photography 73
7. "A new form of communication" 85
8. The conquest of action 117
9. Pictorial photography 141
10. Straight photography 167
11. In quest of form 199
12. Instant vision 217
13. Documentary photography 235
14. Photojournalism 249
15. In color 269
16. New directions 281
Notes 300
Bibliography 307
Index 313The History of Photography : from 1839 to the present, completely revised and enlarged edition [texte imprimé] / Beaumont Newhall, Auteur . - New York : The Museum of Modern Art, 1997 . - 1 vol (320 p.) : 287 Ill. en noir et blanc / 14 Ill. en couleurs ; 20,4 x 27,5 cm.
ISBN : 978-0-87070-381-2
Beau-livre ; Photographie. Cet ouvrage est la cinquième réédition du livre "The History of Photography" mondialement acclamé. Il présente une analyse approfondie mais vulgarisée de l'histoire de la photographie depuis sa création, avec une étude de son évolution esthétique et de ses applications, ainsi que de ses grandes innovations techniques. Cette étude est illustrée par une sélection de plus de 300 clichés pris par des photographes célèbres de la photographie moderne et contemporaine, tels Brassaï, Henri Cartier-Bresson, William Eggleston et bien d'autres.
Langues : Anglais
Mots-clés : Beau-livre Histoire Photographie Vocabulaire photographique Technique photographique Histoire de la photographie Art de la photographie Daguerréotype Fox Talbot John Herschel Louis Daguerre Thomas Wedgwood Nicéphore Niépce Robert Adamson David Octavius Hill George Eastman Edwaerd Muybridge Timothy O'Sullivan Julia Margaret Cameron Peter Henry Emerson Harry Callahan Diane Arbus Robert Frank Walker Evans Nadar Ansel Adams Edward Weston Man Ray Gustave Le Gray Charles Sheeler Brassaï André Kertész Weegee Imogen Cunningham Eugène Atget August Sander Henri Cartier-Bresson Paul Strand Edward Steichen Alfred Stieglitz Robert Doisneau Dorothea Lange Eliot Porter Ernst Haas William Eggleston Stephen Shore Joel Meyerowitz Résumé : 4ème de couverture : "Since its first publication in 1937, this lucid and scholarly chronicle of the history of photography has been hailed as the classic work of the subject. No other book and no other author have managed to relate the aesthetic evolution of the art of photography to its technical innovations with such an absorbing combination of clarity, scholarship, and enthusiasm. For this fifth edition of the book the text was completely revised and expanded, and well over half of the photographs were newly selected from collections on this country and abroad.
Using more than three hundred works by such master photographers as Talbot, Hill & Adamson, O’Sullivan, Cameron, Atget, Emerson, Stieglitz, Strand, Weston, Lange, Evans, Adams Brassaï, Cartier-Bresson, Callahan, Frank, and Arbus, the author presents a fascinating, comprehensive study of the significant trends and developments in the medium since the first photographs were made in 1939. And the fifth edition of The History of Photography includes photographs made in color, from hand-tinted daguerreotypes of 1850 to turn-of-the-century autochromes by Steichen to works by such contemporary masters as Eliot Porter, Ernst Haas, William Eggleston, Stephen Shore, and Joel Meyerowitz.
The fifth edition of this internationally acclaimed book has been translated into five languages."Note de contenu : Préface 7
1. The elusive image 9
2. Invention 13
3. The daguerreotype: the mirror with a memory 27
4. The calotype: the pencil of nature 43
5. Portraits for the million 59
6. Art photography 73
7. "A new form of communication" 85
8. The conquest of action 117
9. Pictorial photography 141
10. Straight photography 167
11. In quest of form 199
12. Instant vision 217
13. Documentary photography 235
14. Photojournalism 249
15. In color 269
16. New directions 281
Notes 300
Bibliography 307
Index 313Réservation
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Code-barres Cote Support Localisation Section Disponibilité TH02057 Dépôt CH - NEW - History Photo. Livre Centre de documentation du Trinkhall Museum 20 - Artistes Consultation sur place
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Photography : Essays & Images / Beaumont Newhall
Titre : Photography : Essays & Images : Illustrated Readings in the History of Photography Type de document : texte imprimé Auteurs : Beaumont Newhall, Editeur commercial Editeur : New York : The Museum of Modern Art Année de publication : 1980 Importance : 1 vol. (328 p.) Présentation : 190 ill. en noir et blanc Format : 20,9 x 28,7 cm Accompagnement : ISBN : 0-87070-387-0 Note générale : Beau-livre ; Histoire de la photographie. Cet ouvrage de Beaumont Newhall retrace l’histoire de la photographie à travers les mots de nombreuses personnalités (scientifiques, philosophes, artistes, photographes, innovateurs, …). Le livre recueille plus précisément des essais, allant des paroles de Tiphaigne de la Roche au 18ème siècle à celles de Walker Evans dans les années 70. Ces essais (critiques, articles de presse, écrits sur l’une ou l’autre invention, …) dressent un portrait des évolutions techniques et artistiques de la photographie, lesquelles sont mises en regard des différents contextes historiques. Beaumont Newhall offre une véritable « autobiographie » de l’histoire de ce médium, renforcée par une sélection de 190 illustrations et photographies. Langues : Anglais Mots-clés : The Museum of Modern Art Beaumont Newhall Littérature Histoire de la photographie Photographie Essai Essai littéraire Critique Article Article de presse Interview Parole Scientifique Philosophe Innovateur Visionnaire Artiste Photographe Evolution de la photographie Technique photographique Vocabulaire photographique Photographie en Amérique Tiphaigne de la Roche Thomas Wedgwood Humphry Davy William Henry Fox Talbot Albert Sands Southworth George Alfred Townsend Frederick Scott Archer Stéréoscope Stéréogramme Oliver Wendell Holmes William J. Newton Elizabeth Eastlake George Frederick Pollock Oscar Gustav Rejlander Henry Peach Robinson Nadar Philippe Burty Charles Baudelaire Francis Frith Edward L. Wilson Julia Margaret Cameron Eadweard Muybridge Richard Leach Maddox Alexander Black Jacob A. Riis Jeux de lumière Lumière Peter Henry Emerson Art pictorialiste Pictorialisme Alfred Stieglitz Photo-Secession Eduard Steichen Ernst Juhl Frederick H. Evans Sadakichi Hartmann Dixon Scott Alvin Langdon Coburn Paul Rosenfeld Paul Strand Edward Weston Man Ray Robert Desnos Fernand Léger Le Nouveau Réalisme Eugène Atget Bérénice Abbott László Moholy-Nagy John Paul Edwards Ansel Adams Dorothea Lange Photojournalisme Felix H. Man Stefan Lorant Brassaï Nancy Newhall Henri Cartier-Bresson William Eugene Smith Arthur Goldsmith Aaron Siskind Minor White Walker Evans Résumé : Jaquette : "This handsomely illustrated volume presents a fascinating pictorial and literary experience, bringing to life through their own words – and photographs – the scientists, artists, philosophers, innovators, and entrepreneurs who in the last century and a half have formulated a new art and a new era of communication.
Beaumont Newhall calls this book « an autobiography of the art of photography, written by some of the men and women who by their inventive genius, their scientific skill, and their artistic sensibility have forged a technique into a vital visual medium. We have allowed them to speak to us directly, without condensing, excerpting, or otherwise editing their words, so that the volume may be both an authentic source book for students of the history of photography as an art and a narrative for the general reader. »
Mr. Newhall has chosen 190 photographs to illustrate the reports, critiscism, and points of view expressed by the writers of the « autobiography », many from the photographic archive of The Museum of Modern Art, others from collections throughout the world. He also provides brief introductory comments to place each selection in historical context. Photographs and text are carefully integrated.
The selections in this volume include first-person accounts of the inventions of the basic photographic techniques ; newspaper reports of the discovery of the daguerreotype and of the early photographic exhibitions ; criticism by Baudelaire, Léger, Moholy-Nagy ; personal statements by Stieglitz, Steichen, Strand, Lange, Adams, Weston, Evans, and others. This basic source material, presented at length and accompanied by relevant photographs, provides a rich background for the chronological history of the medium so masterfully presented by Mr. Newhall in his classic work, The History of Photography."Photography : Essays & Images : Illustrated Readings in the History of Photography [texte imprimé] / Beaumont Newhall, Editeur commercial . - New York : The Museum of Modern Art, 1980 . - 1 vol. (328 p.) : 190 ill. en noir et blanc ; 20,9 x 28,7 cm + ISBN : 0-87070-387-0.
Beau-livre ; Histoire de la photographie. Cet ouvrage de Beaumont Newhall retrace l’histoire de la photographie à travers les mots de nombreuses personnalités (scientifiques, philosophes, artistes, photographes, innovateurs, …). Le livre recueille plus précisément des essais, allant des paroles de Tiphaigne de la Roche au 18ème siècle à celles de Walker Evans dans les années 70. Ces essais (critiques, articles de presse, écrits sur l’une ou l’autre invention, …) dressent un portrait des évolutions techniques et artistiques de la photographie, lesquelles sont mises en regard des différents contextes historiques. Beaumont Newhall offre une véritable « autobiographie » de l’histoire de ce médium, renforcée par une sélection de 190 illustrations et photographies.
Langues : Anglais
Mots-clés : The Museum of Modern Art Beaumont Newhall Littérature Histoire de la photographie Photographie Essai Essai littéraire Critique Article Article de presse Interview Parole Scientifique Philosophe Innovateur Visionnaire Artiste Photographe Evolution de la photographie Technique photographique Vocabulaire photographique Photographie en Amérique Tiphaigne de la Roche Thomas Wedgwood Humphry Davy William Henry Fox Talbot Albert Sands Southworth George Alfred Townsend Frederick Scott Archer Stéréoscope Stéréogramme Oliver Wendell Holmes William J. Newton Elizabeth Eastlake George Frederick Pollock Oscar Gustav Rejlander Henry Peach Robinson Nadar Philippe Burty Charles Baudelaire Francis Frith Edward L. Wilson Julia Margaret Cameron Eadweard Muybridge Richard Leach Maddox Alexander Black Jacob A. Riis Jeux de lumière Lumière Peter Henry Emerson Art pictorialiste Pictorialisme Alfred Stieglitz Photo-Secession Eduard Steichen Ernst Juhl Frederick H. Evans Sadakichi Hartmann Dixon Scott Alvin Langdon Coburn Paul Rosenfeld Paul Strand Edward Weston Man Ray Robert Desnos Fernand Léger Le Nouveau Réalisme Eugène Atget Bérénice Abbott László Moholy-Nagy John Paul Edwards Ansel Adams Dorothea Lange Photojournalisme Felix H. Man Stefan Lorant Brassaï Nancy Newhall Henri Cartier-Bresson William Eugene Smith Arthur Goldsmith Aaron Siskind Minor White Walker Evans Résumé : Jaquette : "This handsomely illustrated volume presents a fascinating pictorial and literary experience, bringing to life through their own words – and photographs – the scientists, artists, philosophers, innovators, and entrepreneurs who in the last century and a half have formulated a new art and a new era of communication.
Beaumont Newhall calls this book « an autobiography of the art of photography, written by some of the men and women who by their inventive genius, their scientific skill, and their artistic sensibility have forged a technique into a vital visual medium. We have allowed them to speak to us directly, without condensing, excerpting, or otherwise editing their words, so that the volume may be both an authentic source book for students of the history of photography as an art and a narrative for the general reader. »
Mr. Newhall has chosen 190 photographs to illustrate the reports, critiscism, and points of view expressed by the writers of the « autobiography », many from the photographic archive of The Museum of Modern Art, others from collections throughout the world. He also provides brief introductory comments to place each selection in historical context. Photographs and text are carefully integrated.
The selections in this volume include first-person accounts of the inventions of the basic photographic techniques ; newspaper reports of the discovery of the daguerreotype and of the early photographic exhibitions ; criticism by Baudelaire, Léger, Moholy-Nagy ; personal statements by Stieglitz, Steichen, Strand, Lange, Adams, Weston, Evans, and others. This basic source material, presented at length and accompanied by relevant photographs, provides a rich background for the chronological history of the medium so masterfully presented by Mr. Newhall in his classic work, The History of Photography."Réservation
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Code-barres Cote Support Localisation Section Disponibilité TH02126 Dépôt CH - NEW - Photo. Essays. Livre Centre de documentation du Trinkhall Museum M.2.5 Photographie Consultation sur place
DisponibleAucun avis, veuillez vous identifier pour ajouter le vôtre !