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Bound for Glory / Paul Hendrickson
Titre : Bound for Glory : America in color 1939-43 Type de document : texte imprimé Auteurs : Paul Hendrickson, Auteur Editeur : New-York : ABRAMS Année de publication : 2004 Importance : 1 vol. (192 p.) Présentation : Ill. en couleurs Format : 30,5 x 21 cm ISBN/ISSN/EAN : 978-0-8109-4348-3 Note générale : Beau-livre ; Photographie. Cet ouvrage recueille une sélection de 175 photographies documentaires issues de la collection FSA/OWI de la bibliothèque du Congrès (Library of Congress) des Etats-Unis. Ces photographies en couleurs constituent une documentation exceptionnelle relatant la vie américaine des années 1939 à 1943, au sortir de la Grande Dépression et au début de la Seconde Guerre mondiale. Le livre parcourt ainsi des scènes de vie aussi bien en milieu rural que dans les grandes villes américaines. Langues : Anglais Mots-clés : ABRAMS Editions Library of Congress Paul Hendrickson Photographie Photographie documentaire Amérique Etats-Unis Exode Crise Crise de 1929 Dust Bowl Grande Dépression Seconde Guerre mondiale Scène de vie Vie quotidienne Russell Lee Jack Delano John Vachon Alfred T.Palmer John Collier Marion Post Wolcott Arthur Rothstein Fenno Jacobs Louise Rosskam Arthur Siegel Andreas Feininger Howard R. Hollem David Bransby Mark Sherwood Résumé : Préface : "THE PHOTOGRAPHS OF THE FARM SECURITY Administration (FSA) and its successor agency, the Office of War Information (OWI), which recorded American life in the late 1930s and early 1940s, remain among the most moving and famous documentary images from the first half of the twentieth century. Yet few people know that, along with thousands and thousands of black-and-white photographs, the FSA/OWI photographers also took color pictures, using newly available kodachrome film. Here, for the first time, is a selection of the best of the FSA color photographs – introduced by National Book Award finalist Paul Hendrickson and assembled to create a vivid portrait of America as it emerged from the Great Depression to fight World War II.
The evocative power of theses all-but-forgotten images is undeniable. As Hendrickson says, "When I look at the struggle coming up out of these pictures, I feel somehow as if I’m combing through my own and the country’s ancestral attic with Woody Guthrie and John Steinbeck and maybe the Andrews Sisters and the Great Gildersleve, too, all of us lingering here and there to laugh but more often cry over every broken porcelain doorknob and rusting Dr Pepper sign." Covering countryside and city, farm and factory, work and play, the images in this book open a window onto our national experience from 1939 to 1943, revealing a world that we have always seen in our mind’s eye exclusively in black and white. Never before has there been a book that paints portrait in full color.
175 photographs in full color"Bound for Glory : America in color 1939-43 [texte imprimé] / Paul Hendrickson, Auteur . - New-York : ABRAMS, 2004 . - 1 vol. (192 p.) : Ill. en couleurs ; 30,5 x 21 cm.
ISBN : 978-0-8109-4348-3
Beau-livre ; Photographie. Cet ouvrage recueille une sélection de 175 photographies documentaires issues de la collection FSA/OWI de la bibliothèque du Congrès (Library of Congress) des Etats-Unis. Ces photographies en couleurs constituent une documentation exceptionnelle relatant la vie américaine des années 1939 à 1943, au sortir de la Grande Dépression et au début de la Seconde Guerre mondiale. Le livre parcourt ainsi des scènes de vie aussi bien en milieu rural que dans les grandes villes américaines.
Langues : Anglais
Mots-clés : ABRAMS Editions Library of Congress Paul Hendrickson Photographie Photographie documentaire Amérique Etats-Unis Exode Crise Crise de 1929 Dust Bowl Grande Dépression Seconde Guerre mondiale Scène de vie Vie quotidienne Russell Lee Jack Delano John Vachon Alfred T.Palmer John Collier Marion Post Wolcott Arthur Rothstein Fenno Jacobs Louise Rosskam Arthur Siegel Andreas Feininger Howard R. Hollem David Bransby Mark Sherwood Résumé : Préface : "THE PHOTOGRAPHS OF THE FARM SECURITY Administration (FSA) and its successor agency, the Office of War Information (OWI), which recorded American life in the late 1930s and early 1940s, remain among the most moving and famous documentary images from the first half of the twentieth century. Yet few people know that, along with thousands and thousands of black-and-white photographs, the FSA/OWI photographers also took color pictures, using newly available kodachrome film. Here, for the first time, is a selection of the best of the FSA color photographs – introduced by National Book Award finalist Paul Hendrickson and assembled to create a vivid portrait of America as it emerged from the Great Depression to fight World War II.
The evocative power of theses all-but-forgotten images is undeniable. As Hendrickson says, "When I look at the struggle coming up out of these pictures, I feel somehow as if I’m combing through my own and the country’s ancestral attic with Woody Guthrie and John Steinbeck and maybe the Andrews Sisters and the Great Gildersleve, too, all of us lingering here and there to laugh but more often cry over every broken porcelain doorknob and rusting Dr Pepper sign." Covering countryside and city, farm and factory, work and play, the images in this book open a window onto our national experience from 1939 to 1943, revealing a world that we have always seen in our mind’s eye exclusively in black and white. Never before has there been a book that paints portrait in full color.
175 photographs in full color"Réservation
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Code-barres Cote Support Localisation Section Disponibilité TH02020 Dépôt CH - HEN - Bound Glory Livre Centre de documentation du Trinkhall Museum 20 - Artistes Consultation sur place
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The Camera Viewed (Writings on Twentieth-century photography) / Peninah R. Petruck
Titre : The Camera Viewed (Writings on Twentieth-century photography) : Volume 1 : Photography Before World War II Type de document : texte imprimé Auteurs : Peninah R. Petruck, Auteur Editeur : New York : E. P. Dutton Année de publication : 1979 Importance : 1 vol. (288 p.) Présentation : Ill. en noir et blanc Format : 15 x 20,8 cm Accompagnement : ISBN : 0-525-47535-4 Note générale : Littérature ; Histoire de la photographie. Cet ouvrage retrace l'histoire de la photographie du 20ème siècle d'avant la Seconde Guerre mondiale. Pour établir cette étude, le livre présente des extraits de documentation historique (tels que des essais) et des témoignages exprimés par des photographes majeurs dont les points de vue sur la photographie sont les plus représentatifs de l’évolution de la vision portée sur cette dernière. Pour compléter ces témoignages originaux, différents écrivains, historiens, artistes viennent apporter leur vision et leur analyse théorique. Langues : Anglais Mots-clés : E. P. Dutton Editions The Camera Viewed Littérature Théorie Photographie Histoire de la photographie Jonathan Green Alfred Stieglitz Georgia O'Keeffe Carl Sandburg Marius De Zayas Paul Strand Calvin Tomkins Edward Weston Andy Grundberg Charles Millard Leslie Katz Robert J. Doherty F. Jack Hurley Jay M. Kloner Carl G. Ryant László Moholy-Nagy Caroline Fawkes John Fraser John Fuller Man Ray Joe Deal Walter Benjamin Gertrude Käsebier Calrence White Edward Steichen Charles Sheeler Walker Evans Jack Delano Russell Lee Eugène Atget Horst Résumé : Couverture : "Divided into two volumes, this anthology is organized to follow a loose chronological reading of twentieth-century photography. The first volume focuses on photography before World War II, the second on more current developments. Each selection is introduced with a brief explanation of its significance and identification of its author. Both volumes contain photographs that highlight the author’s viewpoint.
Criteria for selection of essays and photographs are admittedly arbitrary. Foremost in consideration were quality of thought and expression, historical significance, and value as representative of different attitudes toward and developments of twentieth-century photography. Also favored were the interpretative and theorical rather than technical, biographical, and appreciative commentaries.
The writing on twentieth-century photography is as diverse as the medium itself. Photographers as well as writers known for their ideas on painting, sculpture, film, aesthetics, and culture at large contribute to that diversity. And in writing about photography, they pursue different, often conflicting, themes and approaches. The range covers specific and comparative studies on photographers and types of photography, essays on theory and technique, and personal statements."The Camera Viewed (Writings on Twentieth-century photography) : Volume 1 : Photography Before World War II [texte imprimé] / Peninah R. Petruck, Auteur . - New York : E. P. Dutton, 1979 . - 1 vol. (288 p.) : Ill. en noir et blanc ; 15 x 20,8 cm + ISBN : 0-525-47535-4.
Littérature ; Histoire de la photographie. Cet ouvrage retrace l'histoire de la photographie du 20ème siècle d'avant la Seconde Guerre mondiale. Pour établir cette étude, le livre présente des extraits de documentation historique (tels que des essais) et des témoignages exprimés par des photographes majeurs dont les points de vue sur la photographie sont les plus représentatifs de l’évolution de la vision portée sur cette dernière. Pour compléter ces témoignages originaux, différents écrivains, historiens, artistes viennent apporter leur vision et leur analyse théorique.
Langues : Anglais
Mots-clés : E. P. Dutton Editions The Camera Viewed Littérature Théorie Photographie Histoire de la photographie Jonathan Green Alfred Stieglitz Georgia O'Keeffe Carl Sandburg Marius De Zayas Paul Strand Calvin Tomkins Edward Weston Andy Grundberg Charles Millard Leslie Katz Robert J. Doherty F. Jack Hurley Jay M. Kloner Carl G. Ryant László Moholy-Nagy Caroline Fawkes John Fraser John Fuller Man Ray Joe Deal Walter Benjamin Gertrude Käsebier Calrence White Edward Steichen Charles Sheeler Walker Evans Jack Delano Russell Lee Eugène Atget Horst Résumé : Couverture : "Divided into two volumes, this anthology is organized to follow a loose chronological reading of twentieth-century photography. The first volume focuses on photography before World War II, the second on more current developments. Each selection is introduced with a brief explanation of its significance and identification of its author. Both volumes contain photographs that highlight the author’s viewpoint.
Criteria for selection of essays and photographs are admittedly arbitrary. Foremost in consideration were quality of thought and expression, historical significance, and value as representative of different attitudes toward and developments of twentieth-century photography. Also favored were the interpretative and theorical rather than technical, biographical, and appreciative commentaries.
The writing on twentieth-century photography is as diverse as the medium itself. Photographers as well as writers known for their ideas on painting, sculpture, film, aesthetics, and culture at large contribute to that diversity. And in writing about photography, they pursue different, often conflicting, themes and approaches. The range covers specific and comparative studies on photographers and types of photography, essays on theory and technique, and personal statements."Réservation
Réserver ce documentExemplaires
Code-barres Cote Support Localisation Section Disponibilité TH02084 Dépôt CH - PET - Camera View. 1 Livre Centre de documentation du Trinkhall Museum 20 - Artistes Consultation sur place
DisponibleAucun avis, veuillez vous identifier pour ajouter le vôtre !