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The Camera Viewed (Writings on Twentieth-century photography) / Peninah R. Petruck
Titre : The Camera Viewed (Writings on Twentieth-century photography) : Volume 2 : Photography After World War II Type de document : texte imprimé Auteurs : Peninah R. Petruck, Auteur Editeur : New York : E. P. Dutton Année de publication : 1979 Importance : 1 vol. (254 p.) Présentation : Ill. en noir et blanc Format : 15 x 20,8 cm Accompagnement : ISBN : 0-525-47536-2 Note générale : Littérature ; Histoire de la photographie. Cet ouvrage retrace l'histoire de la photographie du 20ème siècle d'après Seconde Guerre mondiale. Pour établir cette étude, le livre présente des extraits de documentation historique (tels que des essais) et des témoignages exprimés par des photographes majeurs dont les points de vue sur la photographie sont les plus représentatifs de l’évolution de la vision portée sur cette dernière. Pour compléter ces témoignages originaux, différents écrivains, historiens, artistes viennent apporter leur vision et leur analyse théorique. Langues : Anglais Mots-clés : E. P. Dutton Editions The Camera Viewed Littérature Théorie Photographie Histoire de la photographie Edward Steichen Henri Cartier-Bresson Ansel Adams Herm Lenz Minor White Frederick Sommer Jerry Uelsmann Duane Michals Martha Rosler Max Kozloff Dennis Longwell Les Levine André Bazin Rudolf Arnheim Siegfried Kracauer Roland Barthes John Szarkowski Susan Sontag Dorothea Lange Imogen Cunningham Lee Friendlander August Sander Diane Arbus Lucas Samaras Garry Winogrand Résumé : Couverture : "Divided into two volumes, this anthology is organized to follow a loose chronological reading of twentieth-century photography. The first volume focuses on photography before World War II, the second on more current developments. Each selection is introduced with a brief explanation of its significance and identification of its author. Both volumes contain photographs that highlight the author’s viewpoint.
Criteria for selection of essays and photographs are admittedly arbitrary. Foremost in consideration were quality of thought and expression, historical significance, and value as representative of different attitudes toward and developments of twentieth-century photography. Also favored were the interpretative and theorical rather than technical, biographical, and appreciative commentaries.
The writing on twentieth-century photography is as diverse as the medium itself. Photographers as well as writers known for their ideas on painting, sculpture, film, aesthetics, and culture at large contribute to that diversity. And in writing about photography, they pursue different, often conflicting, themes and approaches. The range covers specific and comparative studies on photographers and types of photography, essays on theory and technique, and personal statements."The Camera Viewed (Writings on Twentieth-century photography) : Volume 2 : Photography After World War II [texte imprimé] / Peninah R. Petruck, Auteur . - New York : E. P. Dutton, 1979 . - 1 vol. (254 p.) : Ill. en noir et blanc ; 15 x 20,8 cm + ISBN : 0-525-47536-2.
Littérature ; Histoire de la photographie. Cet ouvrage retrace l'histoire de la photographie du 20ème siècle d'après Seconde Guerre mondiale. Pour établir cette étude, le livre présente des extraits de documentation historique (tels que des essais) et des témoignages exprimés par des photographes majeurs dont les points de vue sur la photographie sont les plus représentatifs de l’évolution de la vision portée sur cette dernière. Pour compléter ces témoignages originaux, différents écrivains, historiens, artistes viennent apporter leur vision et leur analyse théorique.
Langues : Anglais
Mots-clés : E. P. Dutton Editions The Camera Viewed Littérature Théorie Photographie Histoire de la photographie Edward Steichen Henri Cartier-Bresson Ansel Adams Herm Lenz Minor White Frederick Sommer Jerry Uelsmann Duane Michals Martha Rosler Max Kozloff Dennis Longwell Les Levine André Bazin Rudolf Arnheim Siegfried Kracauer Roland Barthes John Szarkowski Susan Sontag Dorothea Lange Imogen Cunningham Lee Friendlander August Sander Diane Arbus Lucas Samaras Garry Winogrand Résumé : Couverture : "Divided into two volumes, this anthology is organized to follow a loose chronological reading of twentieth-century photography. The first volume focuses on photography before World War II, the second on more current developments. Each selection is introduced with a brief explanation of its significance and identification of its author. Both volumes contain photographs that highlight the author’s viewpoint.
Criteria for selection of essays and photographs are admittedly arbitrary. Foremost in consideration were quality of thought and expression, historical significance, and value as representative of different attitudes toward and developments of twentieth-century photography. Also favored were the interpretative and theorical rather than technical, biographical, and appreciative commentaries.
The writing on twentieth-century photography is as diverse as the medium itself. Photographers as well as writers known for their ideas on painting, sculpture, film, aesthetics, and culture at large contribute to that diversity. And in writing about photography, they pursue different, often conflicting, themes and approaches. The range covers specific and comparative studies on photographers and types of photography, essays on theory and technique, and personal statements."Réservation
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